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TORRENT DETAILS
Moby 24 Bit Vinyl Pack
TORRENT SUMMARY
Status:
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Genre: Electronic
Styles: Clube/Dance, Techno, Ambient, Trance, House
Source: vinyl
Codec: FLAC
Bit Rate: ~ 2,900 kbps
Bit Depth: 24
Sampling Rate: 96,000 Hz
LP
1995 Everything is Wrong
1999 Play
2002 18
2009 Wait For Me
7"
Run On (Remixes)
Alice (Remixes)
Go (Funk Masters Mix)
Pale Horses (Remixes)
Moby was one of the most controversial figures in techno music, alternately praised for bringing a face to the notoriously anonymous electronic genre and scorned by hordes of techno artists and fans for diluting and trivializing the form. In either case, Moby was one of the most important dance music figures of the early '90s, helping bring the music to a mainstream audience both in England and in America. Moby fused rapid disco beats with heavy distorted guitars, punk rhythms, and detailed productions that drew equally from pop, dance, and movie soundtracks. Not only did his music differ from both the cool surface textures of ambient music and the hedonistic world of house music, but so did his lifestyle; Moby was famous for his devout radical Christian beliefs, as well as his environmental and vegan activism. "Go" became a British Top Ten hit in 1991, establishing him as one of the premier techno producers. By the time he came to the attention of American record critics with 1995's Everything Is Wrong, his following from the early '90s had begun to erode, particularly in Britain. Nevertheless, he remained one of the most recognizable figures within techno; after he abandoned the music for guitar rock with 1996's Animal Rights, he returned to a heavy electronic base with 1997's I Like to Score and 1999's Play, the latter of which made him a genuine breakout pop star.
Born Richard Melville Hall, Moby received his nickname as a child; it derives from the fact that Herman Melville, the author of Moby Dick, is his great-great grand uncle. Moby was raised in Darien, Connecticut, where he played in a hardcore punk band called the Vatican Commandos as a teenager. Later, he briefly sang with Flipper while their singer was serving time in jail. He briefly attended college before he moved to New York City, where he began DJing in dance clubs. During the late '80s and 1990, he released a number of singles and EPs for the independent label Instinct. In 1991, he set the theme from David Lynch's television series Twin Peaks to an insistent house-derived rhythm and titled the result "Go." The single became a surprise British hit single, climbing into the Top Ten. Following its success, Moby was invited to remix a number of mainstream and underground acts, including Michael Jackson, Pet Shop Boys, Brian Eno, Depeche Mode, Erasure, the B-52's, and Orbital.
Moby continued performing at dances and raves throughout 1991 and 1992, culminating in a set at 1992's Mixmag awards, where he broke his keyboards at the end of his concert. Moby, his first full-length album, appeared in 1992. In 1993, he released the double A-sided single "I Feel It"/"Thousand," which became a moderate U.K. hit. According to The Guinness Book of Records, "Thousand" is the fastest single ever, appropriately clocking in at 1,000 beats a minute. That same year, Moby signed a record contract with Mute and his first release was Ambient, which compiled unissued material recorded between 1988 and 1991. Later that year, The Story So Far, a collection of singles released on Instinct, appeared. In 1994, the single "Hymn" -- one of the first fusions of gospel, techno, and ambient music -- was released.
In 1994, Moby signed a major-label contract with Elektra in the U.S. Everything Is Wrong, his first album released under the deal, appeared in the spring of 1995 to uniformly positive reviews, especially in the American press, which had previously ignored him. Despite the promotional push behind the album and his popular sets at the 1995 Lollapalooza festival, the album wasn't a commercial success. "Bring Back My Happiness," however, was a Top Ten hit on Billboard's club chart. The following year, Moby incorporated heavy guitar rock for 1996's Animal Rights, which featured a cover of Mission of Burma's "That's When I Reach for My Revolver" and received mixed reviews. One year later, Elektra collected his soundtrack highlights for I Like to Score, a compilation that included his remix of "The James Bond Theme" for Tomorrow Never Dies, as well as contributions to Cool World, Heat, and Scream.
Moby's fifth studio album, Play, appeared in 1999. Surpassing everyone's expectations, the album -- featuring numerous samples of Alan Lomax field recordings -- went double platinum in the U.S. and reached number one in the U.K. Aside from its hit singles, Play's success was assured when its tracks were licensed by dozens of advertisers and compilers. Always a restless producer, Moby followed Play with 18 (2002), a relatively reflective and restrained set dotted with an eclectic list of guest vocalists (including MC Lyte, Angie Stone, and Sinéad O'Connor). It debuted at number four on the U.S. Billboard 200 but didn't come close to catching Play in terms of sales.
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FILE LIST
Filename
Size
1995 - Moby - Everything Is Wrong [24bit 96kHz Vinyl Rip]/A2. Feeling So Real.flac
72.8 MB
1995 - Moby - Everything Is Wrong [24bit 96kHz Vinyl Rip]/A3. All I Need Is To Be Loved.flac
62 MB
1995 - Moby - Everything Is Wrong [24bit 96kHz Vinyl Rip]/A5. Everytime You Touch Me.flac
80.5 MB
1995 - Moby - Everything Is Wrong [24bit 96kHz Vinyl Rip]/A6. Bring Back My Happiness.flac
72.4 MB
1995 - Moby - Everything Is Wrong [24bit 96kHz Vinyl Rip]/A7. What Love.flac
61.4 MB
1995 - Moby - Everything Is Wrong [24bit 96kHz Vinyl Rip]/B1. First Cool Hive.flac
105.5 MB
1995 - Moby - Everything Is Wrong [24bit 96kHz Vinyl Rip]/B2. Into The Blue.flac
112.3 MB
1999 - Moby - Play [24-96 Vinyl]/A1 - Honey.flac
67.3 MB
1999 - Moby - Play [24-96 Vinyl]/A2 - Find My Baby.flac
80.8 MB
1999 - Moby - Play [24-96 Vinyl]/A3 - Porcelain.flac
82.7 MB
1999 - Moby - Play [24-96 Vinyl]/A4 - Why Does My Heart Feel So Bad.flac
83.2 MB
1999 - Moby - Play [24-96 Vinyl]/Artwork/Untitled-12.png
137 MB
1999 - Moby - Play [24-96 Vinyl]/Artwork/Untitled-16.png
71 MB
1999 - Moby - Play [24-96 Vinyl]/Artwork/Untitled-4.png
138.9 MB
1999 - Moby - Play [24-96 Vinyl]/Artwork/Untitled-8.png
94 MB
1999 - Moby - Play [24-96 Vinyl]/B1 - South Side.flac
80.4 MB
1999 - Moby - Play [24-96 Vinyl]/B2 - Rushing.flac
54.7 MB
1999 - Moby - Play [24-96 Vinyl]/B3 - Bodyrock.flac
71.8 MB
1999 - Moby - Play [24-96 Vinyl]/B4 - Natural Blues.flac
79.1 MB
1999 - Moby - Play [24-96 Vinyl]/C1 - Machete.flac
71.5 MB
1999 - Moby - Play [24-96 Vinyl]/C2 - 7.flac
17.9 MB
1999 - Moby - Play [24-96 Vinyl]/C3 - Run On.flac
72.1 MB
1999 - Moby - Play [24-96 Vinyl]/C4 - Down Slow.flac
26.9 MB
1999 - Moby - Play [24-96 Vinyl]/C5 - If Things Were Perfect.flac
78.8 MB
1999 - Moby - Play [24-96 Vinyl]/C6 - Everloving.flac
