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Vivaldi - Teatro Alla Moda - Violin Concertos - Amandine Beyer, Gli Incogniti (2015) [24-88]
1. Sinfonia de "L'Olimpiade" in C Major, RV 725: I. Allegro (2:08)
2. Sinfonia de "L'Olimpiade" in C Major, RV 725: II. Andante (2:32)
3. Sinfonia de "L'Olimpiade" in C Major, RV 725: III. Allegro (1:11)
4. Concerto per Violino in F Major, RV 282: I. Allegro poco (4:29)
5. Concerto per Violino in F Major, RV 282: II. Largo (2:03)
6. Concerto per Violino in F Major, RV 282: III. Allegro (3:48)
7. Concerto per Violino scordato in B Minor, RV 391: I. Allegro non molto (4:31)
8. Concerto per Violino scordato in B Minor, RV 391: II. Largo (2:41)
9. Concerto per Violino scordato in B Minor, RV 391: III. Allegro (3:45)
10. Concerto per Violino in D Major, RV 228: I. Allegro (2:54)
11. Concerto per Violino in D Major, RV 228: II. Largo (1:59)
12. Concerto per Violino in D Major, RV 228: III. Allegro (4:31)
13. Concerto per Violino, RV 314a.: I. Adagio (3:07)
14. Concerto per Violino in G Minor, RV 323: I. Allegro (2:24)
15. Concerto per Violino in G Minor, RV 323: II. Largo (1:43)
16. Concerto per Violino in G Minor, RV 323: III. Allegro (2:22)
17. Concerto per Violino in G Minor, RV 322: I. Allegro (3:54)
18. Concerto per Violino in G Minor, RV 322: II. Largo (2:44)
19. Concerto per Violino in G Minor, RV 322: III. Allegro (2:35)
20. Concerto per "Violino in Tromba" in G Major, RV 313: I. [Allegro] (2:33)
21. Concerto per "Violino in Tromba" in G Major, RV 313: II. Andante (2:18)
22. Concerto per "Violino in Tromba" in G Major, RV 313: III. Allegro (2:17)
23. Ballo Primo de "Arsilda Regina di Ponto" in G Minor, RV 700: I. Largo (1:46)
24. Ballo Primo de "Arsilda Regina di Ponto" in G Minor, RV 700: II. Allegro (0:47)
25. Concerto per Violino in G Minor, RV 316: III. Giga (Presto) (1:44)
26. Concerto per Violino in B Flat Major, RV 372a: I. Andante (4:31)
27. Largo, RV 228 (1:51)
1720: in his famous pamphlet entitled ‘Fashionable Theatre’, the composer Marcello ironized the excesses of the new Venetian opera. This landmark pamphlet was published anonymously as Benedetto Marcello, under the fictional editorship of ‘Aldaviva Licante’ - undoubtedly an anagram of A. Vivaldi – ridiculing the operatic world of the time. It took on singers puffed up with pride, uneducated librettists, composers seeking dramatic effects, in short, everything that the musical world then thought about as original, unusual, new, experimental, shocking, weird, baroque, and, in a word, Italian! Vivaldi was one of Marcello’s favourite targets, continually lampooning the Red Priest and his virtuoso violin escapades. It is precisely these escapades that the violinist Amandine Beyer and the Gli Incogniti ensemble have chosen for their rich repertoire: detuned violin concertos (in the manner of Scordatura), violin ‘in tromba’, that is to say violin in a tone that betrays a scraped sound, not to mention more singular works in which Vivaldi leaves the soloist a freedom that gives real heart to the joy of improvisation. This is what really marks out Amandine Beyer, who performs in accordance with the habits of the composer, giving a clear, historical picture of her treatment of the ornaments. So, for the almost implausible Circus Maximus track, it is as if you were actually there, attending the Carnival of the year 1720!
![Vivaldi - Teatro alla moda - Violin Concertos - Amandine Beyer, Gli Incogniti (2015) [24-88]](https://f.t0r.site/cover/48205734.webp)
