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Julian Perkins - Handel's Attick Music For Solo Clavichord (2023) [24-96]
02. Partita No. 1 in A Minor, FbWV 601: I. Allemand
03. Partita No. 1 in A Minor, FbWV 601: II. Courant
04. Partita No. 1 in A Minor, FbWV 601: III. Saraband
05. Partita in A Minor: I. Gigue
06. Canzona No. 4 in E Minor
07. Canzona No. 6 in G Major
08. Sonata in G Minor, HWV 580: I. Larghetto
09. Impertinence in G Minor, HWV 494
10. Air in G Minor, HWV 467
11. Suite in B Minor: I. Allemande
12. Suite in B Minor: II. Courante
13. Suite in B Minor: III. Sarabande
14. Suite in B Minor: IV. Fuga Finalis
15. Suite in G Minor, HWV 452: I. Allemande
16. Suite in G Minor, HWV 452: II. Courante
17. Suite in G Minor, HWV 452: III. Sarabande
18. Suite in G Minor, HWV 452: IV. Gigue
19. Sonata in D Minor, K 9
20. Sonata in A Major, K 208
21. Sonata No. 1 in F Major: I. Andante
22. Sonata No. 1 in F Major: II. Adagio
23. Sonata No. 1 in F Major: III. Allegro
24. Chorale "Jesu meine Freude", HWV 480
25. Fugue in C Minor, HWV 610
26. Fugue in B-Flat Major, HWV 607
27. Rinaldo, HWV 7, Act II: "Lascia ch’io pianga’’ (Arr. for Solo Keyboard by William Babell)
This album celebrates the delicacy and intimacy of the clavichord, the harpsichord’s quieter cousin, which was central to the daily life of musicians for centuries. The title is inspired by the story that Handel’s early biographer John Mainwaring tells, ab out the young Handel secretly going up to the attic during the night to practise on the clavichord, in defiance of his father. The pieces in the first half are by some of those composers mentioned in a notebook of 1698, now lost, which Handel used while he was studying in Halle with Friedrich Wilhelm Zachow. The second half includes pieces Handel might have played on such an instrument to himself later in life, for relaxation and maybe even solace, away from the demands and intrigues of his frantic public life. Dubbed ‘‘The Indiana Jones of Early Music’’ by BBC Radio 3, Julian Perkins brings a dynamic and adventurous spirit to all of his music - making. In 2022 he succeeded Monica Huggett as Artistic Director of the Portland Baroque Orchestra in Oregon, USA. B ased in the UK, he is also Artistic Director of Cambridge Handel Opera and the period - instrument ensemble Sounds Baroque, and enjoys a busy and varied career as a solo keyboard player, chamber musician and conductor/director.
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