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Mozart, Birchall - Clarinet Concertos - Michael Collins, Philharmonia Orchestra, Robin O'Neill (2022) [24-96]
Artist: Michael Collins, Philharmonia Orchestra, Wigmore Soloists, Robin O'Neill
Title: Mozart & Birchall: Clarinet Concertos
Year Of Release: 2022
Label: BIS
Genre: Classical
Quality: 24bit-96kHz FLAC (tracks + booklet)
Total Time: 01:21:13
Total Size: 1.41 GB
Tracklist:
1. Mozart: Clarinet Concerto in A Major, K. 622: I. Allegro (12:25)
2. Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio (7:41)
3. Mozart: Clarinet Concerto in A Major, K. 622: III. Rondo (8:38)
4. Mozart: Clarinet Quintet in A Major, K. 581: I. Allegro (9:25)
5. Mozart: Clarinet Quintet in A Major, K. 581: II. Larghetto (6:38)
6. Mozart: Clarinet Quintet in A Major, K. 581: III. Menuetto (6:55)
7. Mozart: Clarinet Quintet in A Major, K. 581: IV. Allegretto con variazioni (9:25)
8. Birchall: Clarinet Concerto: I. Metamorphosis (8:48)
9. Birchall: Clarinet Concerto: II. Still Life (6:24)
10. Birchall: Clarinet Concerto: III. Impossible Construction (4:58)
The two concertos performed here by Michael Collins and the Philharmonia Orchestra were both intended for a specific player – Mozart composed his for Anton Stadler and Richard Birchall for Michael Collins himself. Both works – as well as Mozart's Clarinet Quintet – were also written for a particular instrument: the basset clarinet, a slightly larger and deeper clarinet than the one in A which soon after Mozart had written his concerto became the standard. At the very core of the clarinet repertoire, the two works by Mozart have until recently been played on the A clarinet, with necessary adjustments being made to the solo part. Nowadays, however, they are more and more often performed on the instrument they were intended for.
Richard Birchall, in his Concerto for Basset Clarinet, also makes the most of the basset clarinet's extended range, for instance in the third movement, Impossible Construction. That movement, and indeed the whole work, is inspired by the artwork of M. C. Escher and its combination of surreal elements and mathematical precision.
With the two concertos, Michael Collins continues his long-standing collaboration with the Philharmonia Orchestra, which includes a recording on BIS of orchestral works by Vaughan Williams (Symphony No. 5) and Finzi. For the Clarinet Quintet he has invited his colleagues from the Wigmore Soloists, the chamber ensemble that he leads together with Isabelle van Keulen.
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FILE LIST
Filename
Size
01 - Clarinet Concerto in A Major, K. 622 I. Allegro.flac
216.3 MB
02 - Clarinet Concerto in A Major, K. 622 II. Adagio.flac
129.8 MB
03 - Clarinet Concerto in A Major, K. 622 III. Rondo.flac
153 MB
04 - Clarinet Quintet in A Major, K. 581 I. Allegro.flac
170.6 MB
05 - Clarinet Quintet in A Major, K. 581 II. Larghetto.flac
114.9 MB
06 - Clarinet Quintet in A Major, K. 581 III. Menuetto.flac
125.5 MB
07 - Clarinet Quintet in A Major, K. 581 IV. Allegretto con variazioni.flac
167.2 MB
08 - Clarinet Concerto I. Metamorphosis.flac
157.5 MB
09 - Clarinet Concerto II. Still Life.flac
110.2 MB
10 - Clarinet Concerto III. Impossible Construction.flac
![Mozart, Birchall - Clarinet Concertos - Michael Collins, Philharmonia Orchestra, Robin O'Neill (2022) [24-96]](https://f.t0r.site/cover/45323459.webp)
