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Bob Dylan - The Cutting Edge [Collectors] (2015) DISC 15 & 16 FLAC Beolab1700
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Bob Dylan - The Cutting Edge [Collectors] (2015) DISC 15 & 16 FLAC Beolab1700
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Bob Dylan - The Bootleg Series vol. 12: The Cutting Edge 1965-1966 [Collector's Edition]
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Artist...............: Bob Dylan
Album................: The Bootleg Series vol. 12: The Cutting Edge 1965-1966 [Collector's Edition]
Genre................: Folk/Rock
Source...............: CD
Year.................: 2015
Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus CD-S520
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.2.1 20070917
Quality..............: Lossless, (avg. compression: 52 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........:
1. Stuck Inside Of Mobile With The Memphis Blues Again – Take 14 (2/17/1966) Complete.
2. Stuck Inside Of Mobile With The Memphis Blues Again – Take 15 (2/17/1966) Released on Blonde On Blonde, 1966.
3. Absolutely Sweet Marie – (3/07/1966) Rehearsal.
4. Absolutely Sweet Marie – Take 1 (3/07/1966) Complete.
5. Absolutely Sweet Marie – Take 2 (3/07/1966) False start.
6. Absolutely Sweet Marie – Take 3 (3/07/1966) Released on Blonde On Blonde, 1966.
7. Absolutely Sweet Marie – (3/07/1966) Insert.
8. Just Like A Woman – Take 1 (3/08/1966) Complete.
9. Just Like A Woman – Take 2 (3/08/1966) Complete.
10. Just Like A Woman – Take 3 (3/08/1966) Complete.
11. Just Like A Woman – Take 4 (3/08/1966) Complete.
12. Pledging My Time – Take 1 (3/08/1966) Breakdown.
13. Pledging My Time – (3/08/1966) Rehearsal.
14. Pledging My Time – Take 2 (3/08/1966) False start.
15. Pledging My Time – Take 3 (3/08/1966) Released on Blonde On Blonde, 1966.
16. Just Like A Woman – Take 5 (3/08/1966) False start.
17. Just Like A Woman – Take 6 (3/08/1966) Breakdown.
Disc 16
1. Just Like A Woman – Take 8 (3/08/1966) Complete.
2. Just Like A Woman – Takes 9-10 (3/08/1966) False start, breakdown.
3. Just Like A Woman – Takes 11-12 (3/08/1966) Rehearsal.
4. Just Like A Woman – Take 13 (3/08/1966) Breakdown.
5. Just Like A Woman – Takes 14-15 (3/08/1966) Rehearsal.
6. Just Like A Woman – Take 16 (3/08/1966) Complete.
7. Just Like A Woman – Take 17 (3/08/1966) Breakdown.
8. Just Like A Woman – Take 18 (3/08/1966) Released on Blonde On Blonde, 1966.
9. Most Likely You Go Your Way (And I’ll Go Mine) – Take 1 (3/09/1966) Complete.
10. Most Likely You Go Your Way (And I’ll Go Mine) – Take 2 (3/09/1966) Rehearsal.
11. Most Likely You Go Your Way (And I’ll Go Mine) – Take 3 (3/09/1966) Rehearsal.
12. Most Likely You Go Your Way (And I’ll Go Mine) – Take 4 (3/09/1966) Rehearsal.
13. Most Likely You Go Your Way (And I’ll Go Mine) – Take 5 (3/09/1966) Breakdown.
14. Most Likely You Go Your Way (And I’ll Go Mine) – Take 6 (3/09/1966) Released on Blonde on Blonde, 1966.
15. Temporary Like Achilles – Take 1 (3/09/1966) Complete.
16. Temporary Like Achilles – Take 2 (3/09/1966) False start
17. Temporary Like Achilles – Take 3 (3/09/1966) Complete.
18. Temporary Like Achilles – Take 4 (3/09/1966) Released on Blonde On Blonde, 1966.
19. Rainy Day Women #12 & 35 – (3/10/1966) Rehearsal.
20. Rainy Day Women #12 & 35 – Take 1 (3/10/1966) Released on Blonde On Blonde, 1966.
The latest chapter in Columbia/Legacy’s highly acclaimed Bob Dylan Bootleg Series focuses on the legendary studio sessions that produced Bringing It All Back Home, Highway 61 Revisited and Blonde On Blonde, the trilogy of album masterpieces which secured Dylan’s reputation as a songwriter and performer of unprecedented depth, power and originality while significantly impacting the course of popular music and culture. All recordings included in The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 are pristine transfers and mixed from the original studio tracking tapes.
18 CD Collector’s Edition of The Cutting Edge include every note recorded during the 1965-1966 sessions, every alternate take and alternate lyric. All previously unreleased recordings have been mixed, utilizing the original studio tracking tapes as the source, eliminating unwanted 1960s-era studio processing and artifice. The limited edition includes rare hotel room recordings from the Savoy Hotel in London (May 4, 1965), the North British Station Hotel in Glasgow (May 13, 1966) and a Denver, Colorado hotel (March 12, 1966) as well as a strip of original film cels from “Don’t Look Back.”
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